Juz 23 ▼
< 395 >
< random >
▼ 38 S
Saad 3 of 5
We have not created the heavens and earth, and what between them is, for vanity; such is the thought of the unbelievers, wherefore woe unto the unbelievers because of the Fire! 27 Should We equate those who do the right with those who spread corruption in the land? Should We make those who are morally integrated equal to those who seek disintegration? 28 (This is) a Book (the Quran) which We have sent down to you, full of blessings that they may ponder over its Verses, and that men of understanding may remember. 29 AND UNTO DAVID We granted Solomon [as a son - and] how excellent a servant [of Ours he grew up to be]! Behold, he would always turn unto Us 30 When they brought fleet-footed chargers in the evening to show him, 31 He said: verily I have loved the love of earthly good above the remembrance of my Lord until the sun hath disappeared behind the veil. 32 (Then he said): Bring them back to me, and fell to slashing (with his sword their) legs and necks. 33 Surely We put Solomon to the test and cast upon his throne a mere body. Thereupon he penitently turned (to Us). 34 He said, “My Lord! Forgive me and bestow upon me a kingdom, which shall not befit anyone after me; indeed only You are the Great Bestower.” 35 So we subjugated the wind to his service which carried his merchandise wheresoever he wished; 36 As also the evil ones, (including) every kind of builder and diver,- 37 The rest of the devils were bound in chains. 38 'This is Our gift, give or withhold without reckoning' 39 His reward will be nearness to Us, a good place to return to. 40
Juz 23 ▼
< 395 >
< random >
▼ 38 S
Saad 3 of 5
ملاحظات وتعليمات
Notes and Instructions
يعرض القرآن الملون الصفحات بواحد من ثلاثة خطوط عربية. قد يظهر أي منهم بإحتمال الثلث، مما يزيد على التنوع الموجود أصلا في الألوان. وتبقى الكلمات خالدة الى الابد. وقريبا، سيكون للقرآن الملون خطوطا أُخرى جميلة إن شاء الله.
ColorfulQuran.com displays pages in one of three Arabic fonts. Each may appear with a one-third chance, adding more diversity to the already diverse colors. And the words remain unchanged forever. ColorfulQuran.com will have more beautiful fonts soon, God willing.
عند قراءة القرآن الملون في وضعية اللغة العربية المرسومة بالأحرف الإنجليزية، قد لا تلاحظ وجود منظومة برمجية مصممة لمطابقة متطلبات علامات الوقف في النص العربي الأصلي. فكما تعلم، يحتوي القرآن على خمسة أنواع رئيسية من علامات الوقف. (1) وقف لازم، حيث يستخدم الرسم الإنجليزي نقطة وقف. (2) وقف جائز مع الوقف أولى، حيث يستخدم الرسم الإنجليزي فاصلة قد تظهر باحتمال الثلثين. (3) وقف جائز مع تساوي أولوية الوقف والوصل، حيث يستخدم الرسم الإنجليزي فاصلة قد تظهر باحتمال النصف للنصف. (4) وقف جائز مع الوصل أولى، حيث يستخدم الرسم الإنجليزي فاصلة قد تظهر باحتمال الثلث. (5) وقف المجاذبة أو المعانقة حيث يجب الوقف في أي من موضعين قريبين ولكن ليس كلاهما، حيث يستخدم الرسم الإنجليزي فاصلة تظهر في أحد الموقعين باحتمال النصف للنصف.
When reading the Colorful Quran in English transliterated Arabic mode, you may not notice that there is an algorithm designed to match the pause requirements of the original Arabic scripture, (waqf signs). As you may know, the original Arabic Quran has five main types of pauses, (waqf) signs. (1) Compulsory break, where the transliteration uses a full stop. (2) Optional pause with the preference for pausing, where the transliteration uses a comma that may appear with a probability of two thirds. (3) Optional stop with an equal preference for pausing and resuming, where the transliteration uses a comma that may appear with a half-half probability. (4) Optional pause with the preference for resuming, where the transliteration uses a comma that may appear with a chance of one third. (5) Attraction pause, also called hugging, or (mu’anaka) sign, where it is compulsory to pause at either one of two nearby positions, but not both; where the transliteration inserts a comma at either one of the two locations with a half-half probability.
اضغط المثلثات قبل وبعد رقم الصفحة للانتقال إلى الصفحات قبل وبعد.
Click or tap the triangles before and after the page number to go to the pages before and after.