Juz 27 ▼
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▼ 54 The Moon
Al-Qamar 2 of 3
The tribe of Thamud denied the Noble Messengers. 23 they said, "Are we to follow a man from amongst ourselves? We would surely then fall into error and madness. 24 How is it that he has received guidance? In fact, he is the most untruthfull and arrogant person". 25 (We told Our Messenger): “Tomorrow they shall know who is the insolent liar. 26 For We will send the she-camel by way of trial for them. So watch them, (O Salih), and possess thyself in patience! 27 And inform them that the water is to be shared between (her and) them. Each one's right to drink being established (by turns). 28 But they call their comrade and he took and hamstrung (her). 29 How (great) was then My punishment and My warning! 30 Verily We, We sent upon them one shout, and they became as the stubble of a fold-builder. 31 Surely We have made this Qur'an easy as a reminder. Is there, then, any who will take heed? 32 The people of Lot rejected Our warnings. 33 We sent down upon them a violent sandstorm (which destroyed them all) except for the family of Lot, whom We saved in the early morning by Our favor. 34 As grace from Us. Thus We reward him who giveth thanks. 35 Lot warned them of Our punishment, but they disputed the warnings -- 36 They even solicited of him his guests, but We obliterated their eyes: 'Now, taste My punishment and My warnings' 37 And there came upon them by morning an abiding punishment. 38 Taste then My torment and My warnings. 39 Hence, indeed, We made this Qur'an easy to bear in mind: who, then, is willing to take it to heart? 40
Juz 27 ▼
< 466 >
< random >
▼ 54 The Moon
Al-Qamar 2 of 3
ملاحظات وتعليمات
Notes and Instructions
عند قراءة القرآن الملون في وضعية اللغة العربية المرسومة بالأحرف الإنجليزية، قد لا تلاحظ وجود منظومة برمجية مصممة لمطابقة متطلبات علامات الوقف في النص العربي الأصلي. فكما تعلم، يحتوي القرآن على خمسة أنواع رئيسية من علامات الوقف. (1) وقف لازم، حيث يستخدم الرسم الإنجليزي نقطة وقف. (2) وقف جائز مع الوقف أولى، حيث يستخدم الرسم الإنجليزي فاصلة قد تظهر باحتمال الثلثين. (3) وقف جائز مع تساوي أولوية الوقف والوصل، حيث يستخدم الرسم الإنجليزي فاصلة قد تظهر باحتمال النصف للنصف. (4) وقف جائز مع الوصل أولى، حيث يستخدم الرسم الإنجليزي فاصلة قد تظهر باحتمال الثلث. (5) وقف المجاذبة أو المعانقة حيث يجب الوقف في أي من موضعين قريبين ولكن ليس كلاهما، حيث يستخدم الرسم الإنجليزي فاصلة تظهر في أحد الموقعين باحتمال النصف للنصف.
When reading the Colorful Quran in English transliterated Arabic mode, you may not notice that there is an algorithm designed to match the pause requirements of the original Arabic scripture, (waqf signs). As you may know, the original Arabic Quran has five main types of pauses, (waqf) signs. (1) Compulsory break, where the transliteration uses a full stop. (2) Optional pause with the preference for pausing, where the transliteration uses a comma that may appear with a probability of two thirds. (3) Optional stop with an equal preference for pausing and resuming, where the transliteration uses a comma that may appear with a half-half probability. (4) Optional pause with the preference for resuming, where the transliteration uses a comma that may appear with a chance of one third. (5) Attraction pause, also called hugging, or (mu’anaka) sign, where it is compulsory to pause at either one of two nearby positions, but not both; where the transliteration inserts a comma at either one of the two locations with a half-half probability.
اقرأ القرآن الكريم كله ملونا بالكامل، حيث تولد ألوان وأشكال الصفحات بشكل متنوع حيث لا يتكرر التركيب نفسه مرتين أبدا. القرآن هو العهد الخاتم والفاصل من الله الواحد الأحد لكافة الناس من جميع الألوان والأشكال.
Read the entire Holy Quran in full color. Pages diversely generate their colors and shapes so that the same scheme never repeats twice. The Quran is the conclusive Final Testament of the One and Only God for all people of all colors and shapes.
اقرأ القرآن الكريم كله ملونا بالكامل، حيث تولد ألوان وأشكال الصفحات بشكل عشوائي تماما بحيث لا يتكرر التركيب نفسه مرتين.
Read the entire Holy Quran in full color, where pages randomly generate their colors and shapes so that the same scheme never repeats twice.