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And for one who fears to stand before his Lord, are two Gardens. 46 Which of your Lord's wonders would you deny? 47 Having [spreading] branches. 48 So which of the favors of your Lord would you deny? 49 Wherein are two fountains flowing. 50 Which of your Lord's favours will you twain you men and jinn then deny? 51 therein of every fruit two kinds -- 52 Which is it, of the favours of your Lord, that ye deny? 53 [In such a paradise the blest will dwell,] reclining upon carpets lined with rich brocade; and the fruit of both these gardens will be within easy reach. 54 How many favours of your Lord will then both of you deny? 55 There will be bashful maidens untouched by mankind or jinn before. 56 Which favors of your Lord will you both belie? 57 (In beauty) like the jacynth and the coral-stone. 58 Which, then, of the benefits of your Lord will ye twain belie? 59 Is there any Reward for Good - other than Good? 60 Which is it, of the favours of your Lord, that ye deny? 61 Besides those two there shall be two other gardens. 62 Which of the favours of your Lord will then both of you deny? -- 63 Of darkest verdant green -- 64 Then which of the favours of your Lord will ye deny? 65 In the Gardens are two springs, overflowing with abundance. 66 Which of the favours of your Lord will you twain you men and jinn then deny? 67 With fruits in them, and dates and pomegranates -- 68 Which is it, of the favours of your Lord, that ye deny? 69 Therein will be maidens chaste and beautiful. 70 How many favours of your Lord will you then deny? -- 71 Pure ones confined to the pavilions. 72 Which then of the bounties of your Lord will you deny? 73 Man has not touched them before them nor jinni. 74 Which, then, of the benefits of Your Lord will ye twain belie? 75 reclining upon green cushions and lovely druggets -- 76 Which is it, of the favours of your Lord, that ye deny? 77 Blessed be the name of thy Lord, full of Majesty, Bounty and Honour. 78
God the Almighty always says the truth.
End of Surah: The All Compassionate (Al-Rahman). Sent down in Medina after Thunder (Al-Ra'ad) before The Human (Al-Insan)
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ملاحظات وتعليمات
Notes and Instructions
عند قراءة القرآن الملون في وضعية اللغة العربية المرسومة بالأحرف الإنجليزية، قد لا تلاحظ وجود منظومة برمجية مصممة لمطابقة متطلبات علامات الوقف في النص العربي الأصلي. فكما تعلم، يحتوي القرآن على خمسة أنواع رئيسية من علامات الوقف. (1) وقف لازم، حيث يستخدم الرسم الإنجليزي نقطة وقف. (2) وقف جائز مع الوقف أولى، حيث يستخدم الرسم الإنجليزي فاصلة قد تظهر باحتمال الثلثين. (3) وقف جائز مع تساوي أولوية الوقف والوصل، حيث يستخدم الرسم الإنجليزي فاصلة قد تظهر باحتمال النصف للنصف. (4) وقف جائز مع الوصل أولى، حيث يستخدم الرسم الإنجليزي فاصلة قد تظهر باحتمال الثلث. (5) وقف المجاذبة أو المعانقة حيث يجب الوقف في أي من موضعين قريبين ولكن ليس كلاهما، حيث يستخدم الرسم الإنجليزي فاصلة تظهر في أحد الموقعين باحتمال النصف للنصف.
When reading the Colorful Quran in English transliterated Arabic mode, you may not notice that there is an algorithm designed to match the pause requirements of the original Arabic scripture, (waqf signs). As you may know, the original Arabic Quran has five main types of pauses, (waqf) signs. (1) Compulsory break, where the transliteration uses a full stop. (2) Optional pause with the preference for pausing, where the transliteration uses a comma that may appear with a probability of two thirds. (3) Optional stop with an equal preference for pausing and resuming, where the transliteration uses a comma that may appear with a half-half probability. (4) Optional pause with the preference for resuming, where the transliteration uses a comma that may appear with a chance of one third. (5) Attraction pause, also called hugging, or (mu’anaka) sign, where it is compulsory to pause at either one of two nearby positions, but not both; where the transliteration inserts a comma at either one of the two locations with a half-half probability.
اقرأ القرآن الكريم كله ملونا بالكامل، حيث تولد ألوان وأشكال الصفحات بشكل عشوائي تماما بحيث لا يتكرر التركيب نفسه مرتين.
Read the entire Holy Quran in full color, where pages randomly generate their colors and shapes so that the same scheme never repeats twice.