۞
1/2 Hizb 24
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۞ Certainly in Yusuf and his brothers there are signs for the inquirers. 7 When they said, 'Surely Joseph and his brother are dearer to our father than we, though we are a band. Surely our father is in manifest error. 8 Some of them suggested, "Let us kill Joseph or leave him somewhere far away from the presence of our father. Only then shall we receive equal treatment and thereafter can become righteous people". 9 One of them said, 'No, kill not Joseph, but cast him into the bottom of the pit and some traveller will pick him out, if you do aught.' 10 (Then going to their father) they said: "O father, why don't you trust us with Joseph? We are in fact his well-wishers. 11 Send him out with us tomorrow that he may enjoy himself and play while we will be there, standing guard over him." 12 [Jacob] said, "Indeed, it saddens me that you should take him, and I fear that a wolf would eat him while you are of him unaware." 13 They said, “If the wolf devours him, whereas we are a group, then surely we are useless!” 14 So when they took him away, and resolved to place him in the bottom of the well, We revealed unto him: surely thou wilt declare unto them this their affair, while they shall perceive not. 15 At nightfall they came to their father weeping 16 They said, "O our father, indeed we went racing each other and left Joseph with our possessions, and a wolf ate him. But you would not believe us, even if we were truthful." 17 And they showed him their brother's shirt, stained with false blood. "No!" he cried. "Your souls have tempted you to do something evil! But it is best to be patient: God alone can help me bear the loss you speak of." 18 AND THERE CAME a caravan; and they sent forth their drawer of water, and he let down his bucket into the well - [and when he saw Joseph] he exclaimed: "Oh, what a lucky find, this boy!" And they hid him with a view to selling him: but God had full knowledge of all that they were doing. 19 And they sold him for a reduced price - a few dirhams - and they were, concerning him, of those content with little. 20
۞
1/2 Hizb 24
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ملاحظات وتعليمات
Notes and Instructions
عند قراءة القرآن الملون في وضعية اللغة العربية المرسومة بالأحرف الإنجليزية، قد لا تلاحظ وجود منظومة برمجية مصممة لمطابقة متطلبات علامات الوقف في النص العربي الأصلي. فكما تعلم، يحتوي القرآن على خمسة أنواع رئيسية من علامات الوقف. (1) وقف لازم، حيث يستخدم الرسم الإنجليزي نقطة وقف. (2) وقف جائز مع الوقف أولى، حيث يستخدم الرسم الإنجليزي فاصلة قد تظهر باحتمال الثلثين. (3) وقف جائز مع تساوي أولوية الوقف والوصل، حيث يستخدم الرسم الإنجليزي فاصلة قد تظهر باحتمال النصف للنصف. (4) وقف جائز مع الوصل أولى، حيث يستخدم الرسم الإنجليزي فاصلة قد تظهر باحتمال الثلث. (5) وقف المجاذبة أو المعانقة حيث يجب الوقف في أي من موضعين قريبين ولكن ليس كلاهما، حيث يستخدم الرسم الإنجليزي فاصلة تظهر في أحد الموقعين باحتمال النصف للنصف.
When reading the Colorful Quran in English transliterated Arabic mode, you may not notice that there is an algorithm designed to match the pause requirements of the original Arabic scripture, (waqf signs). As you may know, the original Arabic Quran has five main types of pauses, (waqf) signs. (1) Compulsory break, where the transliteration uses a full stop. (2) Optional pause with the preference for pausing, where the transliteration uses a comma that may appear with a probability of two thirds. (3) Optional stop with an equal preference for pausing and resuming, where the transliteration uses a comma that may appear with a half-half probability. (4) Optional pause with the preference for resuming, where the transliteration uses a comma that may appear with a chance of one third. (5) Attraction pause, also called hugging, or (mu’anaka) sign, where it is compulsory to pause at either one of two nearby positions, but not both; where the transliteration inserts a comma at either one of the two locations with a half-half probability.
اقرأ القرآن الكريم كله ملونا بالكامل، حيث تولد ألوان وأشكال الصفحات بشكل عشوائي تماما بحيث لا يتكرر التركيب نفسه مرتين.
Read the entire Holy Quran in full color, where pages randomly generate their colors and shapes so that the same scheme never repeats twice.