۞
3/4 Hizb 44
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God has knowledge of whatever is unseen in the heavens and the earth. He knows best what the hearts contain. 38 It is He Who has made you the successors of your predecessors in the earth; so whoever disbelieves (the harm of) his disbelief falls only on him; and for the disbelievers, their disbelief increases nothing in their Lord’s sight except disgust; and for the disbelievers, their disbelief increases nothing for them except ruin. 39 Say: 'Have you considered your associates who you call upon, other than Allah? Show me what they have created in the earth! Or, have they a partnership in the heavens' Or, have We given them a Book so that they have proof of it? No, the harmdoers promise each other nothing else but delusion. 40 ۞ Verily God holds the heavens and the earth in position lest they deviate; and if they deviated there will be none to hold them in place, apart from Him He is sagacious and forgiving. 41 They swore their most solemn oaths that if a warner should ever come to them, they would be better guided than any other community. But when a warner did come to them, it only increased their aversion, 42 [Due to] arrogance in the land and plotting of evil; but the evil plot does not encompass except its own people. Then do they await except the way of the former peoples? But you will never find in the way of Allah any change, and you will never find in the way of Allah any alteration. 43 And did they not travel in the land in order to see what sort of fate befell those who were before them, whereas they exceeded them in strength? And Allah is not such that anything in the heavens or in the earth can break away from His control; indeed He is All Knowing, Able. 44 And if Allah were to impose blame on the people for what they have earned, He would not leave upon the earth any creature. But He defers them for a specified term. And when their time comes, then indeed Allah has ever been, of His servants, Seeing. 45
Almighty God's Truth.
End of Surah: Initiator (Faater). Sent down in Mecca after The Statute Book (Al-Furqaan) before Mary (Maryam)
۞
3/4 Hizb 44
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ملاحظات وتعليمات
Notes and Instructions
عند قراءة القرآن الملون في وضعية اللغة العربية المرسومة بالأحرف الإنجليزية، قد لا تلاحظ وجود منظومة برمجية مصممة لمطابقة متطلبات علامات الوقف في النص العربي الأصلي. فكما تعلم، يحتوي القرآن على خمسة أنواع رئيسية من علامات الوقف. (1) وقف لازم، حيث يستخدم الرسم الإنجليزي نقطة وقف. (2) وقف جائز مع الوقف أولى، حيث يستخدم الرسم الإنجليزي فاصلة قد تظهر باحتمال الثلثين. (3) وقف جائز مع تساوي أولوية الوقف والوصل، حيث يستخدم الرسم الإنجليزي فاصلة قد تظهر باحتمال النصف للنصف. (4) وقف جائز مع الوصل أولى، حيث يستخدم الرسم الإنجليزي فاصلة قد تظهر باحتمال الثلث. (5) وقف المجاذبة أو المعانقة حيث يجب الوقف في أي من موضعين قريبين ولكن ليس كلاهما، حيث يستخدم الرسم الإنجليزي فاصلة تظهر في أحد الموقعين باحتمال النصف للنصف.
When reading the Colorful Quran in English transliterated Arabic mode, you may not notice that there is an algorithm designed to match the pause requirements of the original Arabic scripture, (waqf signs). As you may know, the original Arabic Quran has five main types of pauses, (waqf) signs. (1) Compulsory break, where the transliteration uses a full stop. (2) Optional pause with the preference for pausing, where the transliteration uses a comma that may appear with a probability of two thirds. (3) Optional stop with an equal preference for pausing and resuming, where the transliteration uses a comma that may appear with a half-half probability. (4) Optional pause with the preference for resuming, where the transliteration uses a comma that may appear with a chance of one third. (5) Attraction pause, also called hugging, or (mu’anaka) sign, where it is compulsory to pause at either one of two nearby positions, but not both; where the transliteration inserts a comma at either one of the two locations with a half-half probability.
اقرأ القرآن الكريم كله ملونا بالكامل، حيث تولد ألوان وأشكال الصفحات بشكل عشوائي تماما بحيث لا يتكرر التركيب نفسه مرتين.
Read the entire Holy Quran in full color, where pages randomly generate their colors and shapes so that the same scheme never repeats twice.