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And for him who dreadeth the standing before his Lord will be two Gardens. 46 Which, then, of the benefits of your Lord will ye twain belie? 47 Having numerous branches. 48 Which of the favours of your Lord will you then deny? -- 49 In which, will be two fountains running. 50 Which favors of your Lord will you both belie? 51 Wherein is every kind of fruit in pairs. 52 So O men and jinns! Which favour of your Lord will you deny? 53 reclining upon couches lined with brocade, the fruits of the gardens nigh to gather -- 54 Which of your Lord's favours will you twain you men and jinn then deny? 55 therein maidens restraining their glances, untouched before them by any man or jinn -- 56 So which of the favors of your Lord would you deny? - 57 (In beauty) like the jacynth and the coral-stone. 58 (Jinn and mankind) - which of the favors of your Lord would you then deny? 59 Is the reward for good [anything] but good? 60 Which of your Lord's wonders would you deny? 61 And beside these there shall be two Gardens. 62 Which favors of your Lord will you both belie? 63 dark green in color. 64 Then which of the Blessings of your Lord will you both (jinns and men) deny? 65 In them will be two gushing springs. 66 How many favours of your Lord will then both of you deny? -- 67 In both of them there will be fruit trees and date-palms and pomegranates. 68 How many favours of your Lord will then both of you deny? -- 69 Therein will be maidens chaste and beautiful. 70 Which, then, of your Sustainer's powers can you disavow? 71 There shall be maidens sheltered in tents. 72 How many favours of your Lord will you then deny? -- 73 Undeflowered by man or by jinn before them, -- 74 Which then of the bounties of your Lord will you deny? 75 Reclining on green Cushions and rich Carpets of beauty. 76 (Jinn and mankind) - which of the favors of your Lord would you then deny? 77 Blessed be the name of your Lord, full of majesty and beneficience. 78
God Almighty has spoken the truth.
End of Surah: The All Compassionate (Al-Rahman). Sent down in Medina after Thunder (Al-Ra'ad) before The Human (Al-Insan)
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ملاحظات وتعليمات
Notes and Instructions
عند قراءة القرآن الملون في وضعية اللغة العربية المرسومة بالأحرف الإنجليزية، قد لا تلاحظ وجود منظومة برمجية مصممة لمطابقة متطلبات علامات الوقف في النص العربي الأصلي. فكما تعلم، يحتوي القرآن على خمسة أنواع رئيسية من علامات الوقف. (1) وقف لازم، حيث يستخدم الرسم الإنجليزي نقطة وقف. (2) وقف جائز مع الوقف أولى، حيث يستخدم الرسم الإنجليزي فاصلة قد تظهر باحتمال الثلثين. (3) وقف جائز مع تساوي أولوية الوقف والوصل، حيث يستخدم الرسم الإنجليزي فاصلة قد تظهر باحتمال النصف للنصف. (4) وقف جائز مع الوصل أولى، حيث يستخدم الرسم الإنجليزي فاصلة قد تظهر باحتمال الثلث. (5) وقف المجاذبة أو المعانقة حيث يجب الوقف في أي من موضعين قريبين ولكن ليس كلاهما، حيث يستخدم الرسم الإنجليزي فاصلة تظهر في أحد الموقعين باحتمال النصف للنصف.
When reading the Colorful Quran in English transliterated Arabic mode, you may not notice that there is an algorithm designed to match the pause requirements of the original Arabic scripture, (waqf signs). As you may know, the original Arabic Quran has five main types of pauses, (waqf) signs. (1) Compulsory break, where the transliteration uses a full stop. (2) Optional pause with the preference for pausing, where the transliteration uses a comma that may appear with a probability of two thirds. (3) Optional stop with an equal preference for pausing and resuming, where the transliteration uses a comma that may appear with a half-half probability. (4) Optional pause with the preference for resuming, where the transliteration uses a comma that may appear with a chance of one third. (5) Attraction pause, also called hugging, or (mu’anaka) sign, where it is compulsory to pause at either one of two nearby positions, but not both; where the transliteration inserts a comma at either one of the two locations with a half-half probability.
اقرأ القرآن الكريم كله ملونا بالكامل، حيث تولد ألوان وأشكال الصفحات بشكل عشوائي تماما بحيث لا يتكرر التركيب نفسه مرتين.
Read the entire Holy Quran in full color, where pages randomly generate their colors and shapes so that the same scheme never repeats twice.